Everything about Irish Music totally explained
Irish Music is the generic term for music that has been created in various genres on the entire island of
Ireland,
North and
South of the border.
The indigenous music of the island is termed
Irish traditional music. It has remained vibrant through the 20th into the 21st centuries, despite globalising cultural forces. In spite of
emigration and a well-developed connection to music influences from
Britain and the
United States, Irish music has kept many of its traditional aspects and has itself influenced many forms of music, such as country and roots music in the USA, which in turn have had some influence on modern
rock music. It has occasionally been fused with
rock and roll,
punk rock and other genres. Some of these fusion artists have attained mainstream success, at home and abroad.
In recent decades Irish music in many different genres has been very successful internationally. However, the most successful genres have been rock, popular and traditional fusion, with groups such as
Westlife,
Thin Lizzy,
The Pogues,
The Corrs,
The Chieftains,
Enya,
Riverdance,
Boyzone,
Van Morrison and
U2 achieving success nationally and internationally.
Traditional music
In the seventeenth century harp musicians were patronised by the aristocracy in Ireland. This died out in the eighteenth century.
Turlough Carolan (1670 - 1738) was the most famous, and over 200 of his compositions are known. He wrote in a baroque style that's usually classified as classical music, but is played by many folk musicians today.
Edward Bunting collected some of the last-known harp tunes at the
Belfast Harp Festival in 1792. Other important collectors include
Francis O'Neill and
George Petrie.
Irish
dance music at weddings and saint's days would have included
reels (4/4),
hornpipes and
jigs (the common double jig is in 6/8 time). The
polka arrived at the start of the nineteenth century, spread by itinerant dancing masters and mercenary soldiers, returning from Europe.
Set dancing may have arrived in the eighteeenth century. Later imported dance-signatures include the
mazurka and the highlands (a sort of Irished version of the Scottish
strathspey). In the nineteenth century folk instruments would have included the
bodhran, the
flute the
fiddle and the
uilleann pipes.
By the start of the twentieth century the button
accordion and the
concertina were becoming common.
Irish stepdance was performed at
ceilis, organised competitions and at some country houses where local and itinerant musicians were welcome. Irish dancing was supported by the educational system and patriotic organisations. An older style of singing called
sean-nós ("in the old style"), which is a form of
traditional Irish singing was still found, mainly for very poetic songs in the Irish language. From 1850 to 1918 over one million Irish emigrated to the USA, creating a Celtic diaspora in Chicago (see
Francis O'Neill), Boston, New York and other cities. Irish musicians who were successful in the USA made recordings which found their way around the world and re-invigorated musical styles back in the homeland.
The 1960s saw the emergence of
The Dubliners and
The Chieftains.
Classical music in Ireland
Classical music in Ireland has produced a number of composers including
Thomas Moore and
Turlough Ó Carolan.
John Field, who lived in the early Romantic era has been credited with the creation of the nocturne form, later developed by the young
Frédéric Chopin.
Charles Villiers Stanford achieved great success in England in the 19th and early 20th centuries, but invariably success for composers has come mainly outside of the Irish state. Today, the best-known living Irish composer is
Gerald Barry whose operatic works have been particularly successful in the UK and Europe.
Performers of classical music of note include the concert flautist
Sir James Galway and pianist
Barry Douglas. Douglas achieved fame in 1986 by claiming the
International Tchaikovsky Competition gold medal. Singers
Bernadette Greevy and
Ann Murray have also had success internationally.
Choral music in Ireland has produced
Anúna, known for their contribution to
Riverdance in the early 1990s. They have also been nominated for a Classical Brit Award in the UK and were invited to give the first ever Irish Prom at the
BBC Proms series in the
Royal Albert Hall in 1999.
Popular music
Traditional music played a part in Irish popular music later in the century, with
Van Morrison,
Hothouse Flowers and
Sinéad O'Connor using traditional elements in popular songs.
Enya achieved international success with
New Age/Celtic fusions.
The Pogues, led by
Shane MacGowan, helped fuse Irish folk with
punk rock to some success beginning in the 1980s, while the
Afro-Celt Sound System achieved fame adding West African influences and
drum n bass in the 1990s.
In the 1980s, Irish rock bands
U2,
The Boomtown Rats and
The Undertones.
Punk rock entered Ireland in full in the late 1970s, and flowered in the following decade with performers like
Gavin Friday,
Bob Geldof, and
Stiff Little Fingers. Later in the 80s and into the 90s, Irish punk fractured into new styles of
alternative rock, which included
That Petrol Emotion,
My Bloody Valentine and
Ash.
In the 1990s, pop bands like
the Corrs,
B*Witched,
Boyzone and
The Cranberries emerged. In the same decade, Ireland also contributed a subgenre of
folk metal known as
Celtic metal with exponents of the genre including
Cruachan,
Geasa and
Waylander.
Top 5 biggest selling Irish acts of all time
| Irish acts |
Sold |
Genre |
Years active |
Notes |
| 1. U2 |
170 Million + | Rock |
1976 - Present (31 Years) |
|
| 2. Enya |
75 Million + | New Age |
1986 - Present (22 Years) |
|
| 3. Van Morrison |
55 Million + | Soul |
1967 - Present (40 Years) |
|
| 4. The Cranberries |
45 Million + | Rock |
1990 - 2003 (13 Years) |
|
| 5. The Corrs |
43 Million + | Pop |
1996 - Present (11 Years) |
|
Further Information
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